Archive for the 'Albums' Category

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I see the light

Ok here’s my track by track review of the new Jimmy eat world album Chase This Light.

If you want to ignore my diatribe about earlier Jimmy releases then just skip the first paragraphs and go to the track rundown.
I only starting listening to Jimmy eat world or JEW (how’s that for an acronym) with their release Bleed America which was later self titled due to the S11 attacks. This platinum selling record is my favourite to date as it has the perfect blend of pop rock hooks and catchy chorus’s. However I must admit that when I first gave this album a spin it didn’t really appeal to me. The initial pop flavour was the antithesis of the music I was listening to at the time, which was mainly fast and loud punk. While I have since given Static Prevails, Clarity and Futures a good listening to I’ve never liked these earlier releases as much as some other fans out there as I found them to be too slow for my liking. I also think this overemphasis of softer melodies can sometimes tread a fine line between pop music and sappy songs about relationships. However if you can relate to their lyrics or you can forgive their sentimentalism you’ll more likely to get more out of Jimmy Eat World and hence this album.

Track Rundown
1. Big Casino: A rousing number that rocks hard (well as hard as Jimmy gets anyway). Good tune that grabs you from start to finish with a cool chorus about living life to it’s full after your prime has gone. Described by Jimmy as a loser anthem. As with a lot of releases nowadays this first track is the best off the album. 10/10

2. Let It Happen: Carries on the rocking momentum built up from the last track with twanging guitars and a catchy bridge. The soft deceptive “ha, ha’s” convey the message of using bravado to fake strength in a relationship. 9/10

3. Always Be: This number starts of fairly slowly and has a soft finger clicking and twanging of guitars in the background. This song is about how co-dependency in a relationship can lead to vulnerability. While the chorus is slightly repetitive the melodic sound of this song is still enjoyable. 7/10

4. Carry You: This overtly pop friendly number is too sugar-coated with female backing harmonies and sappy vocal “do, doo’s” to thoroughly enjoy. The slightly toned down guitar and slow speed doesn’t really do it for me either. This song involves analysing and looking for too much in a relationship rather than living in the real moment. 6/10

5. Electable (Give It Up): Back to a rocking drumbeat and full of catchy “oh oh’s” and stirring guitars in the background. Its politic message is slightly glossed over with simpler lyrics than expected from a song that should be full of anger. However as with other aggressive JEW songs (Nothing Wrong and Pain) the real anger is best expressed through the guitar hooks. The infectious energy on this track makes it my 2nd favourite song of the album. 10/10

6. Gotta Be Somebody’s Blues: A slow but enjoyable track about apathy that starts off with acoustic guitar and violin in the background. The stable drumbeat kicks off the moody vibe of this song while the soft mournful vocals, strong string work and drawn out pace make this the most atmospheric song on the album. 8/10

7. Feeling Lucky: This is the second loser anthem on the album with a title that along with Big Casino carries on the gambling theme. An early chorus and great guitar hook push this song along. Again more female backing humming and a very catchy chorus will have you singing along in no time. 9/10

8. Here It Goes: My least favourite song off the album seems to be trying too hard to be tick all the boxes for a perfect track. The hand clapping (probably synthetised) and female backing leads to the most pop sounding song on the album which is meant to be about knowing what is really important to you. It’s at this point that Jimmy crosses into territory that’s too radio-friendly for me. 5/10

9. Chase This Light: This title track follows on from the last song in that it’s slightly lacking in depth and just not unique enough to stick with me. Cring worthy lyrics like “Confetti rainfall” are just too sappy and sentimental for me. 6/10

10. Firefight: Doesn’t start of promising (see above two tracks) but the pop guitar hooks keeps things moving along until the rousing drums and chorus pick up. By the end this song about viewing new things seems to have more of an anthem feeling than Feeling Lucky or Big Casino. 8/10

11. Dizzy: This song is appropriately titled with soaring hooks and vocals that build up and spin down again. This song didn’t really do much for me the first time but has really grown on me after a few listens. The string work and passionate vocals give this song a vibe that that reminds me of some of JEW’s epic’s such as Futures or Get It Faster. 9/10

Highlight Tracks
Big Casino
Electable (Give It Up)
Gotta Be Somebody’s Blues
Feeling Lucky

While Chase This Light is missing some of the heavier guitar work found on Futures the faster pace of songs makes this album much lighter and easier to listen to than JEW’s earlier work. On the flipside the female backing vocals on most songs overstay their welcome and a few tracks lack a certain level of depth and are too pop orientated to be of lasting value. However the overall sense of optimism and energy found on this album hasn’t been matched since the Bleed America days when Jimmy Eat World’s were at their pop rock best.

Overall Score: 8/10

Listen Up! Are you deaf yet?

Hey guys,
I thought I would finish off the week with a double-header review of the new releases from The Flatliners and A wilhelm scream.
I thought it fitting to put two write-ups into one as both of these records will smash you in the face with balls to the wall punk rock melodies.

                                Career Suicide Cover Art

I’ll start with the latest release from The Flatliners which is ‘The great awake’. I think the title is appropriate as it will wake you up with fast explosive punk melodies from the first track and doesn’t let up for another 35 min. This Canadian band is the newest addition on the fat wreck chords label. While I haven’t heard their 1st release (destroy to create on stomp records), it’s said to have more of a ska/reggae skew compared to the straight edged punk heard on this new release. While certain tracks do show a hint of their earlier roots it’s only expressed with subtle guitar and bass strumming rather than horns. I’m not quite sure why they pulled back on this style as it could have added some much needed depth to the album.
A greater change in style or pace also would have added a bit more variety to the tracks as it’s sometimes hard to tell when one ends and the next begins. This isn’t necessarily a bad thing but it does mean that most songs aren’t liable to leave a lasting impression on you apart from your ears ringing.
Due to the lack of unique songs I’ll just highlight the memorable ones rather than give every track a rundown.
‘Eulogy’ is by far my favourite track and is definitely a 5 star song. There’s something about the chorus that really does it for me. It could be the passion or it could just be the ripping melody. Either way this track is the only one off the album that has been stuck in my head all week
‘Mother Teresa Chokeslams The World’ and ‘These Words Are bullets’ also have standout choruses. The aggressive anthem of “we’re tired of waiting” and “we are the dead generation staring down the barrel of your gun” sum up the general theme on this album.
The subtle ska sounding bass line on ‘And The World Files For Chapter 11’ sounds similar to some of Operation Ivy’s stuff but with more rock. The “Hey, Hey’s” thrown out in the background are also cool.
The slowest song on the album is ‘This Respirator’ which has a cool relaxed vibe to it (well as relaxed as punks get).
Their last track ‘KHTDR’ is the most unique due to the presence of horns and numerous switches between rock and ska styles. While it comes in at a whooping 7 minutes in length it was still able to maintain my interest throughout. This therefore goes to show what these Canadians are capable of when they put their ska style to good use.

In summary ‘The New Wake’ is by the numbers energetic punk release that is good while it lasts and is sure to please those into straight and fast punk music. The only downside is that I thought it could have done with a few more memorable tracks. Now I’ll have to check out their first release and see if its more pronounced ska sound can fully convert me to this band in the future.

Overall Score: 7.5/10

Now onto the A Wilhelm Scream (AWS) release titled ‘Career Suicide’ which is the 3rd EP from this 5-piece Massachusetts band.
If you’ve never listened to any of their previous stuff (Ruiner, Mute Print) then you should be warned to put on an extra pair of socks as these guys will knock them right off. Actually you better put on an extra pair of underwear just in case their crazy riffs make you shit yourself. Comparisons have been made between A Wilhelm and Strung Out as both have insanely fast guitar work. However AWS have their own unique melodic style with plenty of short and sweet solos thrown in whenever they get the chance. I think guitarist Trevor Reilly best sums up this album when he explained why some songs were left of the final release. “Those songs aren’t that fast (comparatively) so they didn’t make the record. We really like them a lot, so they will get released, but hey, they weren’t fuckin’ fast enough!! OK?! This one’s built for speed”. Anyway to get the most out of this album make sure to strap yourself in and crank up your stereo full bore.
Now for a give a brief description of some of the highlights on ‘Career Suicide’.
The first track ‘I Wipe My Ass With Your Showbiz’ is an awesome opener and is direct and fast with an obvious message as summarised by the lyrics “I tried to buy my soul back but the devil made me bend over for it”.
‘Cold Slither II’ is probably the most melodic tune with good background vocal support, while the track ‘These Dead Streets’ has plenty of woahhh’s, thrown in and an awesome drumbeat that picks up during the chorus.
The title song ‘Career Suicide’ is probably the only one with a subdued start. The melodic guitar intro finally lets you take a 10 sec breather but since the whole track is only 1 min 35 it doesn’t take long before it kicks into overtime.
‘Jaws 3, People 0’ is awesome and has plenty of fucks thrown in and one friggin sweet bass solo in the middle.
‘The Horse’ is the highlight 5 star track on this album and after 5 minutes it’s covered all bases. Insane riffs, Check. Fast chords, Check. Angry chorus, Check. Breakdown, Hell Yeah! It starts with a full out instrument assault with the guitars, which then meld into an awesome riff that lend great support to the lyrics. “Why are we so angry, why are we so bored that we can’t say no”.
If you haven’t already keeled over from the aural assault throughout the album there’s a killer track to finish you off. When I first saw the title ‘We Built This City (On Debts And Booze)’ I thought they would try their hand at a cover of the Starship classic ‘We Built This City On Rock and Roll’ but nope it’s a song about the monotony of a standard life. It also has a cool drum section with the lyrics spitting out “awake, arise, eat, work, shit, sleep” and ends with the shout out “Wake up!” Seems like smacking you awake was the general theme here amongst the two albums.

I think the only problem with this Career Suicide EP is the short length of the songs, which leave you wanted more. Four of the tracks clock in under the 2 min mark with the average being only 2 min 30 sec. This therefore leads to a very short but intense album ending with 32 minutes of power (I think my minutes of power at Inverock were more impressive, but that’s a story for another time). On this release AWS have shown that they can create 4 min songs that are able to go the distance with the stand out tracks being ‘The Horse’ and ‘We Built This City’. On a side note one of the guitarist’s responsible for a lot of the guitar chord shenanigans left the band following the release of the album. I’ve never heard such fast guitar work and therefore I think it would be mighty hard to fill this void with someone else. This could affect the sound of future releases or live performances but here’s hoping to see these guys play live over here sometime soon, as I can’t wait to die in the mosh pit.
In conclusion the machine gun drums, powerful guitar solos and aggressive vocals all mesh together into the most perfect explosion of punk rock your likely to hear all year.

Overall Score: 8.5/10

Well my ears are now bleeding and for some reason after listening to all this energetic music I want to go outside and punch some shit. So tell next time Cun-try music lovers (If you don’t get the reference check the ep6 podcast or arrested development).

Listen Up (Again)

Hi music fans,
Well as promised here’s my second review on some of the new shit I’ve been listening to recently.

Today I’ll be covering the first full length release from the three piece band Horsell Common titled ‘The Rescue’. The U.S producer on this album Stephen Haigler has previously worked with cult icons the pixies and a favourite band of mine Brand New. While these fellow Melbournites have toured extensively and played a number of support gigs my first real listen came after I saw a pre-album video clip on Rage one night. The track ‘good from afar’ really grabbed my attention with its energy and got me really looked forward to the full album. After reading a good little review on the bombshellzine website I rushed out to JB hifi and got my copy. After a few solid listens I can definitely say this album has met my expectations and will be sure to please those into rock or punk music. Now for a little track by track rundown.

Good From Afar: What a way to start off the album. A soft twanging of guitar strings then the drum beats smash right into the rock. A fucking catchy chorus and hooks make this a ripper track. I’m a sucker for any song with ‘hey hey’s’ throw in and there’s also a great breakdown. As the lyrics say ‘Breakdown popularity contest’ is what this song is about and all those fashion victims should take note. Dressing the same doesn’t make you unique you fucking clone clowns. This is actually my favourite song off the album, but unlike another recent release (damn you foo fighters), the first track isn’t the only good one and is a taste of things to come. 10/10

Bruise Easy: Another great track with a fine guitar riff and double pedal drum kickers throughout. The chorus is sure to stick in your head after a couple of listens which is great because it’s about how much they miss their Melbourne homes when they’re touring. 9/10

Automaton: This track brings down the vibe a little with melancholy vocals which sound like something from a deftones album. However this suites the songs theme which is about someone resisting a change in their personality through either fame or other circumstances, I’m not quite sure. It’s a bit lengthy at over 5 min but the presence of piano before the build up at the end lifts this song. 8/10

Help is on its way: The drum beat and well timed guitar work fit well with the aggressiveness of this song. I like the bitter lyrics on this song ‘all the qualities of a cancer, get back to work you amateur, you’ll never make a salesman’ I’ll have to remember this line next time someone tries to upsize me at a fast food restaurant. 8/10

Sing the news: This is the first track that showcases the vocal ability of the lead singer Mark Stewart. A moving song about making the most of your time and creating a good mood on a bad day. Mark greatly vocalizing his frustration in the lines ‘miss you all the same my alcohol’. This song sets the vibe for the rest of the album, with the remaining songs being slightly slower and mellower. 8/10

Annie if you’re listening: The first acoustic track off the album is much better than most of the rubbish from the latest foo fighters album. They’ve been playing music for over ten years so what’s their excuse for playing boring music? Sorry about the ranting tangent. The vocal depth is again presented well on this song, which has additional female vocals making it almost sound like a duet at some stages. 7/10

It’s Ok: If you’re not a fan of the previous acoustic track this one brings back the rocking. As with most of the songs off the album there’s a sense of frustration this time aimed at being stuck in a meaningless relationship. But as the title says ‘its ok, it’s a resort, compared to what I had before’. 7/10

I’m Dead: Due to the slow guitar pacing this song takes a while to get used to, but by the end the track speeds up and the drum beats turns it into quite an epic. The presence of guest vocals by Stephen Christian from Anberlin is a pleasant surprise (They recently toured together). 7/10

The sound of breaking records: This song seems to be lacking the uniqueness of the previous tracks. By no means a bad song but there isn’t anything that particularly stands out on it. Nuff said. 6/10

Gone for the summer: Makes up for the last track with a nice drum bit in the middle and a cool sound that will stick in your head. I think this song is about escaping the rest of the world possibly via drugs as indicated by the lines ‘We laugh so hard we almost die, everyone slips like a waterslide’. 7/10

Surgery: A great rollercoaster of a song to end the album on. Has a stable guitar riff at the start which highlights the vocal strength on this track. Really breaks into something special near the 3 min mark with the vocals soaring and then coming back down to finally end with a slow patter of drums. I could see this one really growing on me. 8/10

In wrapping up I would like to say that the first full length release from Horsell common has delivered the goods. After a few listen The Rescues great hooks and catchy verses are sure to be stuck in your head. While the first 4 tracks are rocking its great to see a bit of diversity in the later tunes which showcase the bands ability to write great songs. Slower songs like ‘Annie if you’re listening’ and ‘Sing the news’ also highlight the vocal range of the lead singer Mark and show he’s capable of covering more mature themes. I can’t wait to see these boys live but unfortunately I’ll be away at Inverock during their next gig. They’ll be touring with my favourite Australian band Gyroscope over November so make sure you check them out if you get the chance. http://www.myspace.com/bombshellzinepresents 

Overall Rating: 8/10

Listen Up

Hello music aficionados,

Thought I would do a little write up over the next week on some of the new music I’ve been recently listening too.

First off the new Dropkick Murphy’s Album ‘The Meanest of Times’. If you’ve never heard of the dropkicks (punch yourself because you should of), they’re best described as celtic punk rockers who hail from Boston.

The band name was originally taken from a man in Boston who used to run a rehab centre for drunks and bums. He was kind of like the boogey man since parents used to tell their kids that if you were too drunk to get home he would lock them up in the rehab centre until they were sober again. Don’t know if it’s true or not but it’s a good enough reason to name your band after him. Anyway this is the dropkicks 6th studio album and follows on from their 2005 release and my favorite ‘The Warriors Code’.

If you’ve never listened to a dropkick murphy’s album then I best warn you by saying that the lead vocalist Al Barr is not the finest singer in the world. His vocals are best described as gritty and his style is more shouting than actual singing. However this totally fits the loud and heavy punk melodies of most of the songs and the fact is that there are few people out there who can match the passion and energy that Al brings to their songs. I’ve previously heard people listen to them and say that their music is likely to make people smash shit and start riots, bar fights, and other acts of violence. As the band is of irish decent I suppose this is only fitting. However the presence of bagpipes (I thought they were Scottish), mandolin and accordion in all their music also makes people want to spontaneously break out into a jig so this music is definitely a lot of fun to listen to.

The ‘Meanest of Times’ mix’s up this fun aspect with a lot more serious tunes. The name of the album is derived from the hard lives that a lot of the band members lived through as children. Therefore there seems to be a central family theme running through a lot of the songs. I would highly recommend reading over the actual lyrics as they are really good and rather poignant.

Now onto a track by track description of the songs.

Famous for nothing: A great start track with lots of backing vocals and bagpipes and is fast and frantic. Very good song for those new to the Dropkick Murphy’s as it sums up their music style well. 8/10

God Willing: Dedicated to friends they have lost over the years. Okay track but the music doesn’t have enough depth to match the meaningful lyrics. Rather repetitive but the chorus is rousing and fun to sing along to. 6/10

State of Massachusetts: A Banjo solo kicks of this song which is the first to tug at the heart strings as it’s about an abused mother’s children being taken away from her. The banjo is really the highlight of this track and really makes you want to dance a crazy jig, despite the sadness. 9/10

Tomorrow’s Industry: A nonstop rocking track that kicks off with an awesome count in. A rousing indictment on greedy America companies and how they cause family’s to suffer by working them harder and paying them less. A great drum beat drives the frustration and anger home. 8/10

Echoes on ‘A’ street: The first relatively slow track (well as slow as dropkicks get), doesn’t really do it for me. As far as I can tell it’s about a dedicated woman (Shannon) waiting for her master to come home. Actually maybe it’s about a dog and her master. 6/10

Vices and virtues: A sad song that belies its meaning behind a rowdy rocking beat. The sing along chorus ‘Whisky, war, suicide and guns’ sums up the songs story. One son hung himself, another froze to death in an alley drinking gin, one got shot over drugs and another by a snipers gun during the war. 7/10

Surrender: A great paced track which has really grown on me. Well timed vocals and a great guitar riff work well for this song about a son who couldn’t live up to his fathers wishes. 8/10

Flannigans Ball: The first track that I heard before this album was released is sure to be released as a single. Has guest vocals from irish legends Spider Spacey ‘The Pogues’ and Ronnie Drew ‘The Dubliners’. The bagpipes are a real highlight on this track and the chorus absolutely rocks. I just wish this Flannigan’s ball shindig was real as it had free beer on tap, the boys were hammered and the girls were hearty. A fight then breaks out and someone tears a leg of a table and smashes dishes, someone gets kicked in the spleen and the piper nearly gets strangled. The girls in the middle nearly get trampled and that put an end to Flannigans ball. 9/10

I’ll begin again: Another song with a shout along chorus but it does get a bit repetitive. Basically about a guy recently out of jail for a crime he didn’t commit. Has a short guitar solo to finish off the song but apart from that nothing stands out on this track. 6/10

Fairmont Hill: A slow song based on an Irish barroom ballad. The banjo and drum beat work well but unfortunately Al Bars untuned voice stands out like a sore thumb. Still it’s a good song if you can forgive the vocals. 7/10

Loyal to no one: A banjo breakdown and an angry chorus shouting ‘Loyal to no one!’ are the highlights on this trick. I think there’s even a slight hint of accordion in the back of this one, but I could be wrong and maybe it’s just the bagpipes or mandolin. 7/10

Shattered: A nice bass line kicks this track one off which then drives into overgear as one of the fastest punk sounding tracks off the album. Since they’re ranting their anger on a wide range of things this track has to be fast to fit it all in. Steroid abusing ball players, anorexic role models, child molesting priests, cops stalking girls, the crooked FBI and gay cheating husbands are all covering in the space of 2 min 48 sec. 8/10

Rude Awakenings: The slow banjo starts this song and blends in well with the vocals. This song really hits its stride midway as after a 1,2,3,4 count in the bagpipes change the tempo. The song is best summarised by the lines ‘I buried my loneliness with her for the night then I left with new symptoms no antidepressant could cure’. Let the lyrics ‘With the night still fresh on my breath I awoke to the grime face of death’ be a warning not to sleep with strangers who don’t even know who you are the next morning. By the end you’ll probably singing along ‘Hey, what she take ya for’. 8/10

Johhny I hardly knew ya: This is based around an American civil war classic ‘When Johnny comes marching home’ and when you hear this song you’ll probably say I heard this before. An absolutely awesome track and definitely the most fun and exciting one on the album. The mandolin plays a major part in this song along with the rousing chorus ‘We had guns and drums and guns and drums. Hurroo Hurroo’ It even has a break down near the end with a kicking drum beat. I can’t get enough of this track. 10/10

Never Forgot: The final track of the album begins with bagpippy goodness and ends on a positive note. Compared to previous songs this one has a very uplifting message that basically says that even though things can be hard ‘may good fortune turn your way and to everyone whose had someone remember them today’. The chorus will have you singing ‘When you got love and we got family’. 7/10

Jailbreak (Bonus Track): This is a cover of a song released in 1976 by the irish band Thin Lizzy. Due to the bagpipes throughout it sounds different to the original but is still rather catchy. Would have preferred them to cover their other hit ‘The boys are back in town’, but I suppose Everclear have already done that. 7/10

In conclusion if you’ve never heard the Dropkick Murphy’s before then ‘The meanest of times’ would be a good album to start with as it sums up their style very well. While getting used to the raw vocals takes awhile it’s hard to beat the amount of passion and energy these guys put into their music. If you’re a longtime fan of the Dropkicks like me then this album is sure to please. Personally this album isn’t as good as the ‘The warriors code’ or ‘Blackout’ as these releases had a greater diversity of energetic Irish songs. This newest release is missing this Celtic flavour due to the bagpipes being less pronounced throughout. However as there’s a number of meaningful stories to hear on this album you‘ll get more from it if you thoroughly read and listen to the lyrics.

Overall Rating: 7/10

Echoes,Silence,Patience and Grace

Hello all,

Just listened to the new foo fighters album Echoes,Silence,Patience and Grace and thought I would share some of my initial impressions. As I’ve only given a couple of listen’s and will probably give an update after I’ve given it more of a spin.

First of all I must say I was expected a lot from this release as the Foo Fighters got back with Gil Norton who was their previous producer from their 1997 recording ‘The colour and the shape’, which was my favourite Foo album. They’ve recently released a 10 yr anniversary edition and I must say that all songs still stand the test of time remarkably well. Anyway as Tre has previously pointed out the Foo’s will never be able to make a better album than that and therefore this album should be judged on it’s own merits.

The best description of this album would best be summed up as ‘acoustic/rock!’ The reason for the exclamation mark is due to the fact that a the start tracks on this album start sounding really acoustic and then explode into rock later on.

Now for a little description of some tracks

1. The Pretender: I’m sure most of you have heard this first single multiple times, but I just can’t get enough of this song. Starts out acoustically slow with Dave nearly whispering the initial lines and then bang in come the drums and then this track rocks hard for another 4.30 min. On a side note I can’t help but draw parallels between this opening track and the one on the album ‘One by One’. The self-titled song on this release was first released as a single way before the album came out and it had such an epic sounding rock song that I was expected great things. Unfortunately the rest of the album was a bit of a sleeper and had too many bland songs mixed between some pretty good ones. Anyway I digress. This track has it all, awesome riffs, catchy lyrics and even a break down in the middle. I would have to say this is definitely my favourite track off the album.

2. Let it Die: Again starts off slow acoustically and takes quite a bit longer to rip into its stride than ‘The pretender’ but once it does this track brings back memories of the slow burning songs found on ‘The Colour And The Shape’. A great song and I’m sure it will grow on me.

3. Erase Replace: Starts out well and keeps the rock vibe throughout the song. Easy to get into as the main chorus is repeated numerously and will probably stick in my head after a while.

4. Long road to ruin: Surprisingly no acoustic start on this one, which is best described as having a bit of a pop rock sound. Good but doesn’t really have much depth to it.

5. Come Alive: Back to acoustic. Gentle patter of drums and rather slow lyrics until the 3 min mark. After this it actually picks when the lyrics get more repetitive and when Dave throws in some screaming. Actually pretty good song by the end.

6. Stranger Things Have Happened: The most acoustic track yet, no drums just Dave and the guitar. Chorus is rather nice. Unfortunately brings back memories of the bonus album release with ‘In your honour’, if that’s your thing then I guess you’ll like this one.

7. Cheer Up Boys (Your Makeup is Running): Ahh back to a good start.  No acoustic, just rock. A little generic as the lyrics and chorus isn’t anything special. Based on the title was actually expecting a song deriding the emo bands out there but seems like it has nothing to do with that.

8. Summers End: Rather catchy and the title is rather appropriate as it has rather an upbeat sound. It’s a relaxing song and could grow on me after a few quite listens while kicking back and drinking beers.

9. The Ballad Of The Beaconsfield: No lyrics just guitar, but all Australian’s will know the whole story behind this anyway. Best described as a ditty.

10. Statues: Should have been put on their acoustic ‘In your honour’ album. Slow, boring and doesn’t go anywhere. I would have to say at this point the whole album for me unfortunately goes downhill. No Rock = boring shit

11. But honestly:  Title sums it up. Honestly enough with the acoustic shit I’m getting bored of it. Better than the last track but that’s only because it finally rocks out at the end near the 3min mark, but it’s a little too late with only 1 min to go.

12. Home: If they carried on the momentum from the last track and amped up on this track they could have really had something special to finish with. While it’s rather of a nice song it just doesn’t have enough grunt and balls to really finish this album on a high note. Interestingly it does have piano in it, which is probably a first for the foo’s and maybe a sign of things to come.

13. Once And For All (Bonus Track): Not too bad actually and would have been much better placed between tracks 10 and 11 to break up the boredom. Since it’s a bonus track it might have originally been left of the album, which makes me wonder what else didn’t make the cut.

Well, quite a lengthy post as per usual but here as some of my final thoughts. This review might come across a bit negative but as I’ve mentioned earlier it’s only my initial impressions. No matter how hard I try I can’t help but make comparison this with their previous albums and therefore my standards are a bit high.

I’ve now listened to the album again on my mp3 player at work while writing this review and have had to tone down the volume quite a bit. Maybe playing this album through a good stereo and cranking it up would give a bit more life to some of these songs and would bring out the rock arena vibe that Foo’s are renowned for. As Tre has mentioned their last album ‘In Your Honour’ really benefited from being blasted out at ridiculous volumes to really get the most from it. I think if all the boring acoustic songs were replaced with catchy rock tracks like from  ‘In Your Honour’ this album really could have been something great.
My initial conclusion is that ‘Echoes,Silence,Patience and Grace’ is better than ‘One By One’, and after a few listens maybe equal with  ‘There Is Nothing Left To Lose’, but doesn’t come close to matching ‘The Colour And The Shape’ and even ‘In Your Honour’.
Feel free to give your comments, opinions, views or even if you just want to talk about discuss all things Foo (And no I don’t mean Christian aka: Fu).

Blueline Medic – 42:19 – Soft Toy

The band I think I have seen more times in one year (possible even ever) than any other and a personal favourite Blueline Medic have a new album 42:19 out April 14.

The bands MySpace (I still can’t work out why it’s so popular… welcome to the web in 1994) has a little taste in the form of Soft Toy which sounds fuckin brilliant and makes the wait seem even longer.

The boys will also be touring for the new album so make sure you get your ass down to one of their gigs.

Listen to Soft Toy here… or bluelinemedic.com

The Best of 2005

So the new year is already here and I hope you all had a great 2005.
I’m a little slack at the moment (I’m on holidays, deal with it!) so I didn’t get round to posting my ‘Best of 2005′ in 2005 so here it is bitches…!

Best Gig of 2005
‘Gyroscope at Rubys in Belgrave’

What started out as a quiet Thursday(?) night, Dan the Man, Stu, Doug, Pete and myself cruised down to Belgrave to check out Gyroscope, The Hot Lies and Behind Crimson Eyes.
Besides more than your average amount of beer being drunk, Gyroscope rocking so bloody hard, a mosh pit consisting of 5, we all ended up ‘behind the magic bookcase’ hangin with the bands.
I’ve been told that my interview method and questions were second to none.

Honorable Mention
Mad Caddies followed by Supper Club, Reel Big Fish and Goldfinger

Best Album of 2005
Gyroscope ‘Are You Involved?’

The second full length release from Gyroscope was a killer and easily earned the title of best album.
Hell I’m still giving Sound Shattering Sound a thrashing so I’ll still be listening to Are You Involved way into 2006.

Honorable Mention
Wolfmother ‘Self Titled’ and Coheed and Cambria ‘Good Apollo, I’m Burning Star IV, Volume One: From Fear Through The Eyes of Madness (This could probably be the longest album title of 2005 if not all time!)

Beer of 2005
Chimay

It’s expensive as hell and brewed by Monks.
Nuff said.

Honorable Mention
Carlsberg and Sol (a very very late inclusion to the best of)

TV Show of 2005
Arrested Development

Even though Arrested Development is already into it’s third season, no show seems to be quoted and watched repeatedly by myself and the rest of the hornbag.net crew.
I’ve said it a million times before but this is one of the best comedies of all time. It’s well written, has an awesome cast and the call backs and plot twists are second to none.

Honorable Mention
Top Gear, Lost, My Name Is Earl and Prison Break

So that’ll do for now… have a great 2006

The Agoraphobic Cowboy

Well it looks like Rick Moranus Moranis has released a country album.
You may remember Rick from such movies as SpaceBalls, Ghostbusters and Honey I Shrunk Heaps of Shit. (clickity click)
The album is titled The Agoraphobic Cowboy and I’m going to do what ever I can to get my hands on it and have a listen.

The Writing Writer

procastination is too easy to not do it.
i’ve had so many things to do recently but have always found too little time to do them
i have no idea if the above makes sense but that is how i feel at the moment

either way i have been up to a few things in the last week or so that i haven’t really touch on so lets break it down and see what happens…

– been listening to the new 3rd album from coheed and cambria interestingly titled ‘Good Apollo, I’m Burning Star IV, Volume One: From Fear Through The Eyes of Madness’ and it’s a pretty shit hot disc from the geekiest of bands (it’s a long story so ask me about it sometime) and if you liked their other discs than you’ll lap this one up as if it was puppy chow. if you have yet to hear coheed and cambria go give it a shot, it may be an aquired taste but definately worth it in the long run… gotta give it a big 5 outa 5

– went and saw gyroscope on satday night with hels, stu and scotty. i’ve come to expect a top notch show from these boys and am happy to saw that i left i with a smile from ear to ear. the new stuff is sounding awesome and the old stuff well… it didn’t make one of the best of albums for 2004 for nothin. shout out to the hot lies too as they were pretty good also. gyro will be playing the corner later this year for the new album so get down there.

– looks like this friday is going to be a games night at the lodge with a few of the boys wanting to play poker (i have no comprehension of the game) and xbox and what not. should be a fun night with beer and hot dogs a la lodge. will take some photos if i remember

– fathers day was on sunday, shout out to all of the dads. had mine over for a bbq and went down a treat

– i’m currently maybe possibly if all goes well but no guarentees due to banks and leaving messages for old woggy dudes in the process of buying a newer (and smaller) car. i won’t give too many details at the moment but yep it’s a ‘chick bomb’ and i’ve had farts with more horsepower but it’s all part of my grand plan… or is it?

– watched season 1 and up to date on Entourage and i’m kickin myself i didn’t get into it earlier. great show which is very well written and acted if you can look past the fast cars and women. worth the watch me thinks

– last but not least for now anyway, work is going really well. crusin though and making money is what i like doing best so i can’t complain. word on the street is that there is going to be some ‘big news’ this week but so far nothin. i’ll let ya know if anything ever comes of this rumor

anyway that’s about it for now, have a great week and i’m still fuckin around on this site trying to have it up to scratch but as i mentioned at the start i’m just not finding the time….!
whatever forever amen

ODDITORIUM OR WARLORDS OF MARS

got my greasy hands on the upcoming 5th album by the dandy warhols titled ‘ODDITORIUM OR WARLORDS OF MARS’ and well after their last effort (welcome to the monkeyhouse) i was a little scared as i didn’t really enjoy it all that much while it still being a good album it just wasn’t in true dandy nature
this new disc on the other hand comes across like monkeyhouse never existed picking up where 13 tales left off.
please go out and buy this album when it is made available as i will be doing the same.
standout tracks include ‘all the money or the simple life’ and ‘smoke it’ which i have heard is going to be the first single

three horns up (outta three it’s that good)